CURT CARPENTER
ASPEN PRINTMAKER
"Your woodblock prints capture the essence
of Aspen."
ANNA SPEESSEN
Red Brick Center for the Arts
Aspen
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Maroon Lake Coneflowers
Aspen Chapel
Cessna 180
Chamber Symphony
Castle Peak
Bells from Henry Stein's Meadow
Moon Over Sam's Knob | Snowmass
Skiing near Ashcroft
Ashcroft Hotel
Star Peak
Dog Hole on the Roaring Fork
North Face of Capitol Peak
Spar Gulch
Fiddle Concerto | Chamber Symphony
Capitol Peak and Mount Daly
Taildragger
Pyramid Peak from Maroon Creek Road
Hydraulics
Garrett's and Capitol Peak from the Burn | Snowmass
Mt. Daly from Hildur Anderson's Ranch | Snowmass
Erratics in the Roaring Fork near Stein Bridge
Pyramid Peak from Picnic Point
Sunday in the Music Tent
Shadow Mountain
Summer skiing at Montezuma Basin | 1960s
Roaring Fork River near the airport
Snowcats | Aspen Mountain
Spring runoff on the Roaring Fork
Winglets
Pine Creek Cookhouse Team in Ashcroft
Moonlight on Independence Pass
Pine Creek Cookhouse Sleigh | Ashcroft
Maroon Bells morning
Green Wilson Hut
Here are 34 small, 6 x 6" woodcuts—a series of on-going illustrations for an unpublished Aspen Chapbook*—all based on field drawings made while hiking or skiing around the Roaring Fork Valley.
I'm fascinated by the challenge of simplifying a drawing into a woodcut: just four values—white, blue, blue/gray, and black—cut into square blocks of birch-veneer plywood.
The process (and the craftsmanship) of printmaking—cutting the blocks in reverse so they print right-reading, registering the blocks to fit, inking, transparency, running the blocks through the press, signing and numbering the prints—are deeply satisfying.
*Chapbooks first appeared in 16th century as small printed books, illustrated with crude woodcuts, and printed on a single sheet, folded into from 8 to 32-page signatures, then sewn and bound. The way that these books were printed, the reader would have to cut open each page with a paper knife before it could be read.
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